The Illusion of Separate Things, 274-546

unique inkjet on archival cotton rag, artist frame

40 x 40 inches, 2022


It dawned on me when I started working on this idea: This is how we mentally process all imagery now, how we think about everything. We almost always now ingest a thing as part of another thing—a point in a stream or feed. A bit among many other bits. Then we start organizing and sorting and categorizing it in our heads. We now think like computers. Perhaps we always have. Comparative processing is the core of machine-learning and AI and human meaning-making.

The Illusion of Separate Things, 547-830

unique inkjet on archival cotton rag, artist frame

40 x 40 inches, 2022


The Illusion of Separate Things, 1-273 (detail)


The Illusion of Separate Things

831-1116 (left) and 1701-1989 (right)

unique inkjet on archival cotton rag, artist frame

each 40 x 40 inches, 2022

When I review my archive of tens of thousands of images (could it be hundreds of thousands?) saved over decades, what becomes clear is these are not disparate images, they are facets of one big mosaic. They are my collection and by extension, they are me—a self-portrait more revealing than any likeness.